Magazines
Who worked for the public good in 2008?Posted by Joel Martinsen on Wednesday, December 24, 2008 at 7:43 PM
For its final issue of 2008, Window of the South (南风窗) rounds up its picks for the year's top newsmakers. There's also an interesting book review (see below). This is the magazine's sixth year honoring individuals and groups who have worked "For The Public Good" (after the magazine's motto). Here's how the editor, Liu Yang, introduces this issue:
The criteria Liu develops through the article involves Isaiah Berlin's concept of positive and negative liberty and how it plays out in the development of Chinese civil society. Liu concludes with the observation, "What the world is like constantly reminds us of what the world should be like." The list is divided into three separate categories: Special Groups of the Year
People of the Year
Organizations of the Year
This issue's book review column look at Tombstone (墓碑), a book by retired Xinhua journalist Yang Jisheng that investigates the three years of famine in 1959-61. In a recent interview with the International Herald Tribune, Yang explained his reasons for writing the book:
Not everyone is eager for the young to read what Yang has to say, however. Education authorities in Wuhan, the capital of Yang's home province of Hubei, mentioned Tombstone by name in a section on campus contraband:
The author of the review in Window on the South was born in the 1980s, making him part of Yang's target audience. Revere the truth, resist forgettingby Zhou Hua / NFCTombstone is the work of Yang Jisheng, an elder statesman in the journalism world, so I read this book with a sense of respect and admiration. Not because I'm a neophyte in the field; rather, it was out of reverence for the truth this book tells about the great famine in the 1960s. Yang Jisheng says that the book was originally titled "The Road to Heaven," and only later changed to "Tombstone," which carries four meanings: the first is a tombstone erected for his father, who died of starvation in 1959. The second is tombstone for all the Chinese people who died of starvation during the famine. The third is a tombstone for the systemic problems that created the famine. And fourth, it is a tombstone for his own uncertain future. Drawing on an individual experience of hardship and a collective reflection on hardship, he offers up a dark and heavy tombstone through which we are able to explore a truth that is actually not all that distant. A little while ago I read Yang Xianhui's Chronicles of Dingxi Orphange (定西孤儿院纪事), which dealt with the same period of history. I couldn't sleep for several nights because of Yang's unrelenting depictions. Born in the 1980s, I have absolutely no memory of famine, nor do I have any way of imagining what it's like to stave off hunger by eating egret droppings and Guanyin clay and manure maggots. I have only vague memories from early childhood of hearing my elders tell scraps of stories about how they were beset by famine. For the storytellers, these were painful ruminations, and they were simply saddening to the listeners as well. Most people chose selective amnesia and neglect, at least until the arrival of Tombstone with its thirty-page bibliography of references. It would be difficult for someone not tainted by prejudice or bound by a particular interest to doubt the truth of the personal experiences the author relates in the book and the material he obtained through interviews, although that truth may be devastating and gruesome. In the first fourteen chapters, Yi looks at more than ten provinces and cities to gain a sense of the people's conditions during the so-called "three years of natural disasters" from 1959 to 1961. No one, whether in Sichuan's land of abundance or the breadbasket of Jilin, or in Hebei or Shandong, was free from the immense calamity of starved corpses strewn about. Particularly horrifying is his description of the numbers of the dead and the ways in which they died. In the second fourteen chapters, Yang synthesizes a wide range of historical materials to analyze the causes of the famine, which he believes does not lie in natural disaster or the Soviet split. Instead, it had its own cause: a man-made catastrophe. "The General Line, the Great Leap Forward, and the People's Communes were called the 'three red banners.' These political banners that whipped the Chinese people into a frenzy in 1958 were a direct cause of the three years of famine, the trouble at the root of the disastrous famine," Yang said. So many people dying in such a short time surpasses the toll of any previous natural disaster throughout history, and is beyond any world war. When we read this book today, we revisit the truth of that history and refuse to voluntarily or passively forget it. We do this not entirely to settle old scores or to condemn historical figures, for our more important reason is to ensure that the tragedy will be neither reenacted nor played out again in a different guise. But this still presents a degree of difficulty. In the years surrounding his retirement, the veteran Xinhua Agency journalist painstakingly sought ways to obtain precious reference material. There was no shortage of obstacles, and some forty- and fifty-year-old materials remain in files that are undiscovered or unobtainable. He said, "As a news reporter, I strive to publish factual reports and statements. As a scholar, I have a responsibility to restore the original face of history and to tell the truth about that history to the many people who have been tricked." Such a statement may be a breath of fresh air for today's readers and reporters who are used to sensationalism and gossip. We've made great strides today, compared to that era. Over the three decades of the reform era, particularly as the Internet has flourished, there are many more channels through which we can learn the truth. But forty or fifty years ago, the dead and the survivors had no way to know the truth about why they were starving and why they were dying. A fog enshrouded everything. We must thank this old Xinhua journalist, yet at the same time, we see Yang Jisheng ask a colleague who was stationed in a town hardest-hit by the famine: "As a Xinhua journalist, you had a responsibility to report the situation to the central government. Why didn't you write 'internal reference' articles?" His colleagues answered, "After I personally witnessed the ruin that awaited people who spoke the truth, how could I risk writing an 'internal reference' article?" This is not only an issue of cowardly journalists. So many once towering heroes were silent, and that it is the great tragedy of that age. They were in fear of power, and every collectivized citizen had lost the source of their livelihood and had to cling to a power known as "the people," at the apex of which was only a romantic poet. Apart from not daring to speak, in this book we also see starving people dying outside of full storehouses, commune members who would rather starve to death than divide up the grain stores of the production brigade. We may marvel at their rigorous discipline, but we ought to see that behind this lies a fear of power that is greater than the fear of death. Not eating meant death, but eating meant torment and torture much more painful than starving to death. Laozi said, "If the people do not fear death, how can death be used to frighten them?" That was in ancient times. In the modern world, however, there are some things to which death itself pales in comparison. After reading this book, I can conjure up the image of a mother and child struggling to chew stalks, stripping barks from trees, and catching locusts to ease their hunger, or the picture of a rail-thin middle-aged man who dropped dead at a struggle session, but I cannot hear their voices, nor can I hear our own voices. There is only this heavy, black tombstone standing silently in my heart. Like Yang, I am inclined to believe that this tombstone of the heart will not be trampled or torn down. Links and Sources
|
Warning: include(/home/danwei/webapps/htdocs/sidebarA.inc): failed to open stream: No such file or directory in /home/laodanwei/www/www/magazines/south_window_on_tombstone.php on line 214 Warning: include(): Failed opening '/home/danwei/webapps/htdocs/sidebarA.inc' for inclusion (include_path='.:/usr/local/php74/lib/php') in /home/laodanwei/www/www/magazines/south_window_on_tombstone.php on line 214 Warning: include(/home/danwei/webapps/htdocs/sidebarB.inc): failed to open stream: No such file or directory in /home/laodanwei/www/www/magazines/south_window_on_tombstone.php on line 220 Warning: include(): Failed opening '/home/danwei/webapps/htdocs/sidebarB.inc' for inclusion (include_path='.:/usr/local/php74/lib/php') in /home/laodanwei/www/www/magazines/south_window_on_tombstone.php on line 220 |